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  • An Affair With A
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  • Dead In Bed
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  • Dead In The Office
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    Dead in bed
    [8]    		 $9.99
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    VICTIMIZATION PRODUCTION - Dead in bed

    Clip Description

    This custom was based on the script of the final episode of the great British thriller directed by Alfred Hitchcock 'Frenzy' (1972).
    The woman has been strangled with a red necktie that is still around her throat. It is knotted tightly at the front of her throat. Her eyes are wide open and staring, her tongue is protruding from her mouth, her breasts are bare. You will see the body from different angles.

    Clip Duration:      4 minutes
    Format Size
    mp4854.01 MB

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    VICTIMIZATION PRODUCTION - Dead in bed

    VICTIMIZATION PRODUCTION - Dead in bed

    VICTIMIZATION PRODUCTION - Dead in bed

    VICTIMIZATION PRODUCTION - Dead in bed

    VICTIMIZATION PRODUCTION - Dead in bed
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    Blue on Blue - Anna's getting home after a very busy and tiring day at the office, she looks exhausted. She comes into the living room. There she sees the Hitperson who is sitting in an armchair. In one hand he is clutching a silenced gun which he is pointing directly at her. Anna starts to scream, her eyes widening with fear and her hands darting to her throat, but the Hitperson waves his gun slightly to signal her to be silent, so all that comes out is a muffled frightened gulp of air. Anna has backed into a corner of the room, shivering with fright. After a few moments she realises he is serious and starts to unbutton her blouse with trembling fingers. She eventually manages to undo it and get it off. The hitperson motions with his weapon for her to take off her skirt as well. Underneath she is wearing some surprisingly sexy lingerie. It is clear that she expects to be raped. However, the hitperson gets up slowly, silently, like some lethal cobra, and approaches her, then orders her to turn around slowly. Anna's frightened eyes never leave his face. He starts asking her about the important files she stole from the office where she works. Anna is either a brilliant actress or she hasn’t the foggiest idea what he is talking about. She shudders, horrified and bewildered both at the same time. She has no idea what kind of files he talks about. The hitman sees that she is showing signs of panic and is only one step away from screaming. So he hits her hard on the side of the head with the butt of his gun. She loses consciousness. Bathroom now. Anna\'s sitting slumped on a stool in the bathroom, still in her beautiful underwear with her hands now tied behind her back. Opposite her, next to the head of the bath which he has busily been filling up almost to the brim, is the hitperson. Anna’s lips move slightly but no sounds issue forth. She is openly crying now. It is still quite obvious that she hash't a clue what he means. Hitperson smiles thinly: “I am going to take your head and hold it under the water for a good five minutes,” he explains coldly. Anna stops crying now, in greater fear than ever, as the enormity of what he has just said sinks in. She tries to say something but her face is completely frozen with fear and trepidation. Hitperson goes over to Anna, grabs her and forces her to stand and then he forces her to kneel by the side, her head over the lip, and then he slowly and deliberately forces her face and head under the surface of the water. Anna, paralysed by fear no longer, starts to kick and squirm, but the Hitperson is a professional and he holds her easily through it all. And he still continues to hold her head and face under the water. There are a good few minutes of Anna’s stocking-clad legs as they go through a whole series of kicks and struggles. After a few minutes Anna is noticeably getting weaker and weaker. Suddenly her body gives a bit of a jerk and gasp – it’s obvious that she could fight the urge no longer and has breathed in. The hitperson though was expecting this, and holds her through the gagging reflexes and spasms, however these spasms and twitches get weaker and weaker and her legs stop their gyrating. Soon after, the lovely Ms Anna’s body goes completely still and limp. Still holding her head under the water, the hitperson feels for a pulse in her neck, it’s obvious that one is still there, and he continues to hold her head under until he is certain that her heart has stopped beating.

    DEAD IN BED 2 - When the police arrived it was too late - they were dead...

    NURSE NADIA - Client's feedback Just been downloading it and watching it off :-) It's very good, great fun. Please thank Sly Fox (?) who plays the part of the really evil psycho killer so well, he really does seem like a dangerous stalker-killer who has literallyw alked off a TV drama or B-movie. And I love his accent/voice over - a blend of Russian and sleazy American, which actually adds to his character in a way. Elerikh is also very good, she has to die in a whole variety of different ways through the movie, four completely different times in about 10/12 minutes - I think that must be a record! Scenario This is a short film with an exciting plot and an interesting ending! It's in ENGLISH except for the last scene! Four different murders (strangulation with a chain, strangulation with a bag, shot, stabbing in the stomach). Lots of blood, nice victim's acting, different musical accompaniment. I wonder if anyone will guess what this story will end up with? This movie is worth watching!

    Dead in the office - This scene is based on an episode of Alfred Hitchcock's great Thriller Frenzy (1972). A cute woman was strangled with a tie in her office by a obsessed maniac!

    Agents failure - Methods of killing: - Murder with a gun (3 shots) Plot of the script The girl is an agent who has just finished the big job that will allow her to have a long vacation from her agency. Removing her clothes, posing at the mirror, after taking a bath and putting on a silk robe over her naked and bare footed body, she will be surprised to see her ex-lover who is also a hitman. She will initially try to act stupid, thinking he is here for some fun as she acts seductive to him. But the hitman is serious as he is going to get the important files she stole. Now our girl will subtly try to reach for her gun hidden in a drawer, opening her robe to reveal her breasts and womanhood, even playing with them to tempt him. They will then engage in some flirty talk before she takes out her gun and is about to fire, only for the hitman to be faster and fire a bullet below her belly button. She will stumble back and look at her wound with pain, only to raise her pistol and try fire again. But the hitman fires another bullet, this time hitting her left breast, right at the nipple. The female agent coughs blood. The hitman presses on her breast wound which will make the female agent answer where the important files are. As he looks through them, he will admit some regret to seeing her just to take her out, even recounting how they once wanted to get married. She tries to tempt him to save her. But the hitman then got the agency’s base address from her. Before saying the address the female agent hesitates, prompting the hitman to press his pistol onto her womanhood to show he isn’t playing games. She slowly answers in pain as blood starts to come out of her mouth again. Getting weaker, she asks him to take her to a doctor. The hitman says no as it\'s too late. He comes to her and gives her a kiss, but while they kiss, he fires his pistol one last time at her right breast before leaving. Now alone again, the female agent struggles to call for help. Getting her phone, she falls back onto the bed and calls her agency, telling them that she was ambushed and got shot. But after the call ends and she struggles to endure, the fellow agent arrives too late and can only cradle her as she slowly dies.
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